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PIANO RECITAL: Chopin’s 24 Preludes by Jacqueline Bourgès-Maunoury

PIANO RECITAL: Chopin’s 24 Preludes by Jacqueline Bourgès-Maunoury

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Chopin's Twenty-four Preludes, opus 28

Performed on the piano by Jacqueline Bourgès-Maunoury, punctuated by readings by Marie-Christine Barrault

Texts by George Sand, Gide, Liszt...

Without intermission

The Preludes op. 28 by Chopin were designed to form a whole. Based on the alternation of moments of tension and relaxation, this cycle also incorporates characteristics of other genres such as mazurka or romance. Short in duration, these pieces contain all the magic of the musical snapshots of Romanticism.

Chopin composed his Preludes between 1835 and 1839 and completed them in Majorca, where, aged 29, he stayed with George Sand to escape the winter climate of Paris and try to treat his chronic tuberculosis. There she wrote her work “A Winter in Majorca”.

The Twenty-four Preludes are dedicated to his friends Camille Pleyel and Joseph Christoph Kessler.

 Endowed with a very sure technique, a very extensive sound palette and above all a great inner emotion (...), JBM gave all its fullness in the twenty-four Preludes of Chopin op.28 which benefited from a sound breathing exceptional, of deep intelligence and an execution alternating sensitivity, without mawkishness and more serious or very subtly measured passages. The quality of the artist's touch and in particular the work of his left hand is quite astonishing. » VAUCLUSE MORNING

Jacqueline Bourgès-Maunoury

A rare and demanding musician, Jacqueline Bourgès-Maunoury has always favored musical and sound research through an approach that differentiates her from many pianists of her generation... After obtaining a Concert License at the Ecole Normale de Musique de Paris and a Premier Prize for Virtuosity at the Geneva Conservatory with the highest distinctions, it was with Jean Fassina that she undertook a long work based on the great Polish piano school from Chopin. She was noticed by György Cziffra who offered her the first part of one of his recitals. Since then, associated with big names such as Jean-Pierre Wallez, Susan Graham, Marie-Christine Barrault, Lambert Wilson and Dame Felicity Lott, her career has taken her to the most prestigious venues. She is a guest at numerous festivals and her records have been unanimously praised by critics.

His opus “Variations des Cimes”, dedicated to the great variations of César Franck, Bach-Busoni, Brahms and Liszt, received the “Maestro” mention from Piano Magazine. Jacqueline Bourgès-Maunoury also recorded a disc dedicated to Chopin (24 Préludes op.28) and Rachmaninov (6 Moments Musicaux op.16) at Loreley Production.

Marie-Christine Barrault

Marie-Christine Barrault began a career in theater and television after leaving the Paris Conservatory of Dramatic Art in 1965. She then defended texts by Max Frish, Corneille, Nathalie Sarraute, Paul Claudel, Anton Tchekhov, Eugène O 'Neill, Marguerite Duras..., under the guidance of demanding directors, Gabriel Garran, Roger Planchon, Raymond Rouleau, Jacques Rosner... She never stops being on stage, alternating various texts, and also records songs and stories musical. In 2022 and 2023, she is at the Odéon, in Une Mort dans la famille, written and directed by Alexander Zeldin.

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